My son and I love to take walks through Frederik Meijer Gardens & Sculpture Park. It’s always a spot where we can slow down, explore, and discover something new. But the next time we visit, the “new” won’t just a seasonal change in the trees. It’s a towering new sculpture.

Right off the North Path, near the Japanese Garden and Michigan’s Farm Garden, a colossal bronze figure now rises above the landscape: Amalgam (Origin) by internationally acclaimed artist Nick Cave.

Courtesy of the Frederik Meijer Gardens / Jason Whalen | Fauna Creative
Courtesy of the Frederik Meijer Gardens / Jason Whalen | Fauna Creative
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At 26 feet tall, it’s the first outdoor public sculpture Cave has ever created and now, it’s part of Meijer Gardens’ permanent collection of over 300 international works.

If you’ve ever seen Cave’s famous Soundsuits, you’ll recognize the influence. Originally made as a response to the Rodney King beating in 1991, the Soundsuits were designed as protective, full-body sculptures that concealed race, gender, and class. Forcing people to see each other without bias.

Over time, they’ve evolved into powerful symbols of empowerment. Amalgam (Origin) takes that idea and magnifies it, creating a textured, bronze form that looks like it’s growing straight out of the earth, rooted yet reaching skyward like a beacon.

Courtesy of the Frederik Meijer Gardens / Jason Whalen | Fauna Creative
Courtesy of the Frederik Meijer Gardens / Jason Whalen | Fauna Creative
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What may struck you most (beyond its sheer size) is the message. It feels like the piece is saying: individuality matters, but so does our connection to one another and to the natural world.

Courtesy of the Frederik Meijer Gardens / Jason Whalen | Fauna Creative
Courtesy of the Frederik Meijer Gardens / Jason Whalen | Fauna Creative
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Cave also has deep Michigan ties, having earned his MFA from Cranbrook in 1989, and his work has been shown here before.

So if you’re heading to Meijer Gardens this fall, take the path toward the Japanese Garden. You won’t miss it.

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